This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.

Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA monochrome engraving depicting a classical, bare-chested Oedipus standing in the foreground, gesturing with his right hand toward a Sphinx perched on a rocky cliff to his left. He carries a long spear in his left hand and wears a tunic and sandals. Behind him, palm trees and architectural structures suggestive of Egypt are visible. Above, emerging from clouds, two winged angels hold an open, oversized book displaying lists of names and symbolic grids, with floating circular medallions surrounding the book's base.
This image serves as the frontispiece to Athanasius Kircher's 'Oedipus Aegyptiacus' (1652–1654), a monumental work attempting to decipher Egyptian hieroglyphs through the lens of Hermeticism and Christian theology. It characterizes the 17th-century intellectual obsession with Egypt as the cradle of all human wisdom and syncretic religious truth.
ATHANASII KIRCHERI E SOCIETATE IESV OEDIPVUS ÆGYPTIACUS AD FERDINANDVM III CÆSAREM SEMPER AVGVSTVM.
Translation
Of Athanasius Kircher of the Society of Jesus, Oedipus Aegyptiacus, dedicated to Ferdinand III, Caesar, Ever August.
Athanasius Kircher, Oedipus Aegyptiacus
This image is the primary title page and conceptual frontispiece for this multi-volume study of Egyptological hieroglyphs.
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.