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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileThe composition is divided into two distinct levels: a heavenly scene above and an earthly gathering below. In the upper register, Christ crowns Mary amid a group of angels playing lutes and violins, while in the lower register, the Apostles look with wonder into a sarcophagus filled with lilies and roses. One apostle in the center, likely St. Thomas, holds the sacred girdle dropped by the Virgin during her ascent.
This work reflects the High Renaissance synthesis of Christian theology and Neoplatonic thought, specifically the theme of the soul's ascent from the material world to the divine sphere. The transition from the empty tomb to the celestial crown mirrors the philosophical concept of the 'return' of the human soul to its divine source, a central tenet of the Florentine Platonists.
Jacobus de Voragine
The iconography of the flowers blooming in the empty tomb and the presence of the Apostles is derived from the account of the Assumption in the 'Golden Legend'.
Marsilio Ficino
The hierarchical division of the cosmos into earthly and celestial spheres reflects Ficinian Neoplatonism regarding the soul's journey toward the Empyrean.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY 2.0
11642 - Vatican - Pinacoteca
544 × 800 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.