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Original fileThis painting depicts the physical exertion of several men carrying Christ's body toward a tomb on the left. To the right, the Virgin Mary collapses in grief and is caught by three female attendants, while the landscape in the distance shows the three crosses of Calvary. The figures are arranged in a complex, rhythmic composition that emphasizes both human anatomy and intense emotion.
This work represents the High Renaissance synthesis of classical form and Christian narrative, specifically adapting the composition of ancient Roman sarcophagi to depict the Entombment. This movement toward harmonizing pagan aesthetic ideals with Christian themes was a primary focus of the Neoplatonic circles in Florence and Rome during Raphael's career.
RAPHAEL VRBINAS M D VII
Translation
Raphael of Urbino, 1507
Marsilio Ficino
Raphael's use of idealized human proportions to convey spiritual truths reflects the Neoplatonic belief in beauty as a bridge to the divine.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.