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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing depicts a chaotic scene of combat focused on the musculature and dynamic tension of the human form. On the left, figures grapple in close combat, while on the right, a warrior pulls a bound captive across the ground. The work serves as a detailed study of anatomy in extreme motion, showing Raphael's interest in the expressive power of the physical body.
Within the Neoplatonic context of Raphael's circle, the nude human body was viewed as a microcosm of the universe, reflecting divine proportions even in states of strife. The depiction of 'heroic' struggle often mirrored the internal psychological and spiritual conflicts described by thinkers like Marsilio Ficino, where the soul must navigate the turbulence of the material world.
R. V. 179
Marsilio Ficino
Raphael's depictions of the 'heroic' nude are influenced by Neoplatonic theories regarding the human body as an image of the divine and the site of spiritual struggle.
Pico della Mirandola
The varied and extreme poses of the figures reflect the Renaissance concept of the 'Dignity of Man,' where the human form is capable of assuming any aspect through will and action.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 573 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.