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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawing shows a female figure in a dynamic pose of supplication or reaction, with detailed musculature rendered through fine red-chalk hatching. To the right, the artist has included separate anatomical sketches of a hand and a human eye. The central figure was a preliminary study for a character in Raphael's final masterpiece, the Transfiguration.
This drawing reflects the High Renaissance ideal of 'disegno,' where the rigorous study of the human form served as a bridge between natural philosophy and the divine. In the context of the Transfiguration, the figure represents the human soul's physical and emotional response to a supernatural epiphany, a theme central to Neoplatonic thought.
PL
Raphael, Transfiguration
This work is a direct preparatory study for the kneeling woman in the foreground of Raphael's final altarpiece.
Marsilio Ficino
The anatomical study of the human form as a microcosm of divine order is a central tenet of the Neoplatonic philosophy Raphael visualized.
Object
Oil on panel
anatomical
Digital Source
Wikimedia Commons · Public domain
fAHqn1cG-xjFIA at Google Cultural Institute maximum zoom level
2718 × 4001 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.