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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis black chalk drawing shows a seated woman with her hands resting in her lap and her hair covered by a light veil. The figure's composition, with her body turned slightly while her face meets the spectator, demonstrates a calm and balanced presence. Soft, precise lines define the delicate features of her face and the structured folds of her Renaissance-era dress.
This study illustrates the profound influence of Leonardo da Vinci's portraiture on Raphael, specifically the 'Mona Lisa' composition. It reflects the High Renaissance synthesis of naturalism and Neoplatonic idealism, where physical beauty was considered a reflection of inner, spiritual harmony.
I M 07 RAPHAEL (RAFFAELLO SANTI)
Leonardo da Vinci
This drawing is a primary example of Raphael adopting Leonardo's 'Mona Lisa' pose and psychological depth in his early Florentine works.
Baldassare Castiglione
The grace (sprezzatura) and idealized beauty of the figure align with the courtly and Neoplatonic virtues described in 'The Book of the Courtier'.
Marsilio Ficino
The depiction of female beauty as a window to divine order is central to Ficinian Neoplatonism, which heavily influenced High Renaissance art.
Object
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/search?agent=Raphael&technique=drawn&view=grid&sort=object_name__asc&page=1
1835 × 2500 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.