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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe subject is shown from the waist up, seated behind a stone ledge and looking directly at the viewer. He wears a dark doublet with vibrant red sleeves and multiple rings on his hands, set against a wide, airy landscape under a pale sky. The composition emphasizes clear lighting and naturalistic detail in the sitter's features and clothing.
Agostino Beazzano, 1538 Raphael, se d'Apelle il mondo scrisse Tanto che forse va sopra la fede, Né sol ne la pittura primo visse, Ma che suo par mai nasca non si crede, Pur non so quel che fora s'ei venisse Hor che del tuo color l'opra si vede: Tu così ben confondi il vero e il finto Che non si sa qual vive, et qual è pinto. RAFFAELLO SANZIO DA URBINO N. 1483 - M. 1520 RITRATTO DI AGNOLO DONI 61
Translation
Agostino Beazzano, 1538: Raphael, if the world wrote so much of Apelles That perhaps it exceeds belief, That not only was he first in painting, But that his equal will never be born, Yet I know not what would happen if he came Now that the work of your color is seen: You so well confound the true and the false That one knows not which lives, and which is painted. RAFFAELLO SANZIO FROM URBINO B. 1483 - D. 1520 PORTRAIT OF AGNOLO DONI
Object
Oil on panel
portrait
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.