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Original fileThe Virgin Mary is shown in mid-ascent, her gaze fixed upward and arms extended toward the heavens. She is dressed in flowing white and violet garments, while three small angels physically lift her through a golden, radiant sky. Faintly visible cherub heads emerge from the surrounding clouds, emphasizing the celestial nature of the event.
The Assumption reflects the Renaissance Neoplatonic interest in the 'ascent of the soul' toward the divine, a theme explored by thinkers like Marsilio Ficino. This theological event served as a visual paradigm for the human spirit's return to its celestial origin through divine grace.
Raffaello Sanzio da 635
Translation
Raphael Sanzio from 635
Marsilio Ficino
Ficino's 'Theologia Platonica' discusses the soul's ascent to the divine, providing a philosophical framework for the visual depiction of celestial movement.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.