This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA group of mourning figures carries Christ in a burial shroud as they move toward a cave entrance on the left. Mary Magdalene reaches out to clasp Christ's hand in grief, while on the right, the Virgin Mary collapses and is supported by three women. The background features the hill of Calvary with three empty crosses under a soft, expansive sky.
This work represents the High Renaissance ideal of the 'istoria,' where complex anatomical movement is used to express profound psychological and spiritual states. It reflects the Neoplatonic effort to harmonize the physical perfection of classical antiquity—seen in the Roman sarcophagus-inspired composition—with Christian theology.
Leon Battista Alberti
The painting is a realization of Alberti's theories in 'De Pictura' concerning the use of bodily gesture and variety to move the soul of the viewer.
Marsilio Ficino
The work embodies the Ficinian Neoplatonic concept that the harmony of the human form reflects a divine, spiritual order.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
2024 × 2116 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.