This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe infant Christ is depicted with soft golden curls and a naturalistic expression, held against the blue mantle and red dress of the Virgin Mary. The image highlights the fine craquelure of the oil paint on the panel and a glimpse of a distant landscape in the background.
Raphael’s religious works embody the High Renaissance Neoplatonic ideal, where perfect human proportions and beauty reflect the divine harmony of the cosmos. This aesthetic aligns with Marsilio Ficino’s view that visual grace serves as a spiritual ladder toward the contemplation of divine truths.
Marsilio Ficino
Raphael's aesthetic of ideal beauty was deeply informed by Neoplatonic concepts of divine light and harmony articulated by Ficino in works like De Amore.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.