This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis preparatory drawing, known as a cartoon, uses pen and ink with pouncing holes along the outlines for transferring the design to a final painting. The composition centers on the dynamic diagonal of the horse and knight lunging toward the coiled beast on the ground. A small figure of a woman kneels in the distance, representing the princess saved by the saint's intervention.
In the Renaissance Neoplatonic tradition, the battle between the knight and the dragon was often interpreted as the rational soul’s triumph over material chaos and the lower animal passions. This motif would later become a central emblem in alchemical literature, representing the purification of the 'prima materia' through spiritual struggle.
Jacobus de Voragine
Author of The Golden Legend, the primary source for the hagiography of Saint George and his battle with the dragon.
Marsilio Ficino
His Neoplatonic commentaries often framed the struggle against monsters as the soul's internal effort to transcend its earthly nature.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/7drawing/1/07study"
744 × 900 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.