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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis sketch shows three women in classical dress processing toward the right, modeled after an antique relief. Above their heads, handwritten labels identify them as the seasons: Autumn carries a basket of harvest fruits, Winter is more heavily draped, and Spring follows. The drawing captures the rhythmic movement and drapery characteristic of Roman sculptural prototypes found on sarcophagi.
The representation of the Seasons (Horae) relates to the Neoplatonic concept of the cosmic cycle and the 'Music of the Spheres,' where temporal change reflects a divine, underlying order. Renaissance artists in Raphael's circle studied these antique models to harmonize classical aesthetics with philosophical inquiries into the nature of time and the soul's journey.
Autun hiems ver
Translation
Autumn Winter Spring
Marsilio Ficino
Ficino's Neoplatonic commentaries frequently utilized the cycle of the seasons as a metaphor for the soul's descent and ascent through the material world.
Ovid
The descriptions of the Four Seasons in Metamorphoses Book II provided the standard iconographic basis for these figures in Renaissance art.
Object
Oil on panel
allegory
Digital Source
Wikimedia Commons · Public domain
https://harvardartmuseums.org/collections/person/28220?person=28220
1024 × 864 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.