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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe figure is depicted in a three-quarter view with long, flowing hair and an enigmatic expression. He wears a pleated white shirt and a dark mantle with thick fur trim, posed against an interior wall with a window revealing a distant landscape. This work is a famous lost masterpiece of the High Renaissance, looted from the Czartoryski Museum during World War II.
Raphael was a central figure in the Neoplatonic intellectual circles of the High Renaissance, and his portraits often captured the humanistic ideal of dignity and grace. This work represents the aesthetic of the Court of Urbino, a major center for Renaissance humanism and the development of the 'ideal gentleman.'
ART FROM THE RENASCENCE 174 In 1818 a school of painting was created in the University ; its first teachers, Peszka (d. 1831), and Brodowski (d. 1853), were insignificant as artists, and did not contribute much to the 83. THE PRINCE OF URBINO. (In the Czartoryski Museum.) (Raphael.) development of art. Only in 1835 there came from Rome a pupil of Vincentio Camucci, named Adalbert Stattler-Stanski (1800-1882), who reorganized the school by his activity as JABŁ. i Sp.
Baldassare Castiglione
Raphael was a close friend of Castiglione, and this portrait visually exemplifies the ideal of 'sprezzatura' (studied nonchalance) described in 'The Book of the Courtier'.
Object
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
This file comes from Polona Digital Library and is available under the URL: https://polona.pl/item/cracow-the-royal-capital-of-ancient-poland-its-history-and-antiquities,OTgwODcwMzk/193/
3287 × 4207 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.