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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileHomer is depicted as a blind, white-bearded elder wearing a vibrant blue robe and a laurel crown, his head tilted upward in a state of divine inspiration. To his left, the Italian poet Dante is shown in profile wearing his characteristic red hood and laurel wreath, while other classical poets gather around them beneath a laurel tree.
In the Neoplatonic circles of the Renaissance, Homer was revered as a primary vessel for 'divine frenzy' (furor poeticus), a concept championed by Marsilio Ficino where the poet's soul is elevated by the Muses to receive celestial truths. His blindness signifies a turning away from the material world to access internal, spiritual vision.
Marsilio Ficino
Ficino's theories on 'divine madness' in his commentaries on Plato identify Homer as the archetype of the poet-seer whose physical blindness enables spiritual sight.
Plato's Phaedrus
This text defines the four types of divine madness, including the poetic madness that inspires the works of Homer.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
File:Rafael_-_El_Parnaso_(Estancia_del_Sello,_Roma,_1511).jpg
616 × 916 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.