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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileIn this detail from the Stanza della Segnatura, the Greek philosopher Pythagoras is shown seated on a marble block, recording his mathematical discoveries in a codex. A young assistant holds a wooden tablet before him, displaying a diagram of harmonic intervals and the ten-pointed tetractys symbol. Various figures lean in to observe his work, including the philosopher Averroes, identifiable by his white turban and green robe.
This scene represents the Renaissance synthesis of mathematical harmony and cosmic order, foundational to Neopythagorean and Neoplatonic thought. The diagram on the slate illustrates the musical ratios of the octave, fifth, and fourth, which were believed to govern the structure of both the soul and the universe.
ΕΠΟΓΔΟΩΝ VI VIII VIIII XII
Translation
Epogdoon (the 9:8 ratio or whole tone). The Roman numerals 6, 8, 9, and 12 represent the fundamental harmonic proportions used to calculate musical intervals.
Boethius, De institutione musica
Raphael’s depiction of the harmonic ratios (6, 8, 9, 12) on the tablet directly follows the mathematical musical theory preserved and transmitted by Boethius.
Plato, Timaeus
The mathematical proportions shown are central to the construction of the World Soul as described in the Timaeus, a text held by Plato in the center of the larger fresco.
Object
Fresco
portrait
Digital Source
Wikimedia Commons · Public domain
This image has been extracted from another file
744 × 806 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.