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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawing depicts the Greek poet Sappho reclining on a hillside, holding a small placard inscribed with her name. To her left stands a group of figures in draped robes, including the Italian poet Petrarch, identifiable by his distinctive hooded Florentine cap. This brown wash study focuses on the humanistic assembly of classical and medieval literary figures found in the Stanza della Segnatura.
Raphael’s original composition illustrates the Neoplatonic concept of 'divine frenzy' (furor poeticus), a state of inspiration where the soul is elevated by the Muses. This intellectual program, influenced by Marsilio Ficino, sought to harmonize classical pagan wisdom with Renaissance Christian thought.
SAPO
Translation
Sappho
Marsilio Ficino
Ficino's theories on the 'four divine furies'—specifically the poetic fury—provided the philosophical basis for Raphael's depiction of Parnassus.
Raphael Sanzio
The work is a direct copy of a section of Raphael's fresco 'The Parnassus' in the Stanza della Segnatura.
Object
Oil on panel
allegory
Digital Source
Wikimedia Commons · Public domain
Catalog Photo
4096 × 2980 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.