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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis pen-and-ink study shows two men straining under the weight of a body held in a burial shroud while several women look on in grief. The drawing emphasizes the physical tension of the carriers and the anatomical realism of the deceased figure. Light cross-hatching is used to define the musculature of the figures and the folds of their garments.
As a preparatory drawing for the Baglioni Altarpiece, this work reflects the Renaissance synthesis of Christian narrative with the Neoplatonic concept of 'mors philosophica' (philosophical death). The composition's focus on the heavy, earthly vessel of the body contrasting with the grieving spirit aligns with the period's interest in the soul's liberation from the material world.
RV
Marsilio Ficino
Ficino's Neoplatonic interpretation of the 'soma-sema' (body-as-tomb) concept influenced the intellectual circles Raphael moved in regarding the nature of mortality.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"/r/raphael/7drawing/1/10study"
8472 × 6710 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.