Entombment of Jesus Christ, copy (2024-03-05)

A group of figures struggles with the weight of Christ's lifeless body, which is supported by a white shroud. To the right, a cluster of women supports the Virgin Mary as she swoons from grief. In the distant landscape, the three crosses of Golgotha are visible against a bright, expansive sky.

This composition represents the High Renaissance transition toward dramatic movement and anatomical complexity, often interpreted through the Neoplatonic lens of the human body as a vessel for divine grace. The original work was a commemorative 'votive' piece for Atalanta Baglioni, linking religious narrative to the Renaissance practice of processing personal trauma through sacred archetypes.