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Original fileThe scene shows the seated philosopher Pythagoras recording his findings in a thick volume. A younger figure, often identified as his son Telauges, supports a black chalkboard (abax) featuring diagrams of musical intervals and the sacred tetractys. Above Pythagoras's shoulder, a man in a turban, historically identified as the Andalusian philosopher Averroes, leans in to study the work.
This image represents the foundation of the 'Harmony of the Spheres,' a concept central to the Western esoteric tradition and Neoplatonism. The diagrams on the board illustrate how mathematical ratios (1:2, 2:3, 3:4) govern both musical harmony and the structural order of the cosmos, a bridge between natural philosophy and sacred geometry.
ΕΠΟΓΔΟΩΝ VI VIII VIIII XII ΔΙΑΤΕ ΣΣΑΡ ΩΝ ΔΙΑΠ ΕΝΤΕ ΔΙΑΠΑΣΩΝ I II III IIII X
Translation
EPOGDOON (The 9:8 ratio or whole tone) 6 8 9 12 (harmonic proportions) DIATESSARON (Perfect fourth interval) DIAPENTE (Perfect fifth interval) DIAPASON (Octave interval) 1, 2, 3, 4 (The Tetractys components) 10 (The sum of the Tetractys)
Plato, Timaeus
Plato uses the Pythagorean harmonic ratios depicted here to describe the mathematical construction of the World Soul.
Johannes Reuchlin, De Arte Cabalistica
Reuchlin synthesized Pythagorean numerology with Jewish Kabbalah, viewing Pythagoras as a transmitter of the prisca theologia.
Boethius, De institutione musica
Boethius's text preserved the Pythagorean tuning system and the numerical relations shown on the board for the Latin Middle Ages.
Object
Fresco
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.