This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileA crowded celestial scene where the Olympian gods are gathered around a long table set upon clouds. Jupiter and Juno preside at the center while the Three Graces hover above scattering floral wreaths, and various deities like Neptune, Hercules, and Mercury are identifiable by their attributes. The entire composition is framed by thick, decorative garlands of fruit, vegetables, and flowers.
Based on the narrative by Apuleius in 'The Golden Ass', this cycle was interpreted by Renaissance Neoplatonists as an allegory for the human soul's (Psyche) journey through earthly trials to achieve divine immortality through Love (Cupid). It reflects the synthesis of classical myth and Platonic philosophy prevalent in the circle of Raphael and his patrons.
Apuleius
The narrative source for the trials and wedding of Cupid and Psyche depicted in the fresco cycle.
Marsilio Ficino
His Neoplatonic commentaries popularized the interpretation of Psyche as the human soul seeking union with the divine.
Object
Oil on panel
mythological
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.