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Original fileThe hall features a vaulted ceiling where mythological scenes are set against a blue sky and framed by thick, realistic garlands of fruit and foliage. The paintings depict the gods of Olympus and the trials of the mortal Psyche, including Mercury in flight and the assembly of the divine council. Below the ceiling, the walls are decorated with decorative architectural motifs that mimic marble niches and panels.
Based on the 2nd-century text 'The Golden Ass' by Apuleius, this cycle serves as a Neoplatonic allegory for the human soul’s (Psyche) ascent through trials to achieve divine union with Love (Cupid). It reflects the Renaissance synthesis of pagan mythology and philosophical inquiries into the nature of the immortal soul popularized by thinkers like Marsilio Ficino.
Apuleius
The narrative of the frescoes is directly based on the story of Cupid and Psyche found in his work 'The Golden Ass' (Metamorphoses).
Marsilio Ficino
His Neoplatonic commentaries provided the philosophical framework for interpreting the myth of Psyche as the human soul in search of divine love.
Object
Oil on panel
mythological
Linked Data
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