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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing shows an angel with outspread wings and billowing drapery, captured in a complex foreshortened pose. The artist uses fluid pen lines and delicate cross-hatching to suggest volume and the rushing movement of air. It appears to be a preparatory sketch for a larger composition, focusing on the dynamic physical presence of a celestial messenger.
As a product of the High Renaissance circle of Raphael, this work reflects the Neoplatonic effort to visualize the 'Celestial Hierarchy' of Pseudo-Dionysius. These figures were understood as intermediary intellects that bridge the gap between the material world and the divine 'One' in the chain of being.
R. 94 235 M. App. 2 p. 262
Pseudo-Dionysius the Areopagite
His 'De Coelesti Hierarchia' (The Celestial Hierarchy) provided the theological and philosophical structure for how angels were ranked and depicted in Renaissance art.
Marsilio Ficino
Ficino's Neoplatonic theology integrated angelic beings as essential cosmic intermediaries necessary for the soul's ascent.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 694 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.