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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe winged god Cupid gestures toward Psyche, who stands with her back to the viewer, as they approach the Three Graces. The mythological figures are set against a backdrop of clouds and framed by heavy, ornate garlands of various fruits and flowers. This scene is a detail from the larger decorative cycle in the Loggia di Psiche at the Villa Farnesina in Rome.
The story of Cupid and Psyche served as a central Neoplatonic allegory for the soul's journey, purification, and eventual union with divine love. Raphael's cycle, based on the text of Apuleius, represents the high Renaissance synthesis of classical mythology and the philosophical pursuit of spiritual immortality.
1179 CUPIDO ADDITA PSICHE ALLE GRAZIE DI RAFFAELE
Translation
1179 Cupid presents Psyche to the Graces by Raphael
Apuleius, The Golden Ass (Metamorphoses)
The primary literary source for the narrative of Cupid and Psyche depicted in the fresco cycle.
Marsilio Ficino
Ficino's Neoplatonic commentaries on love and the soul's ascent provide the intellectual framework for the Renaissance interpretation of Psyche as the human soul.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.61732
1786 × 2242 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.