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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileAn elderly artist dressed in a black robe stands in a Renaissance-style studio, gazing with intense focus at Raphael's large altarpiece. His assistants and students stand nearby, observing their master's reaction to the masterpiece. The workshop contains various tools of the craft, including an easel, a palette with brushes, architectural models, and preparatory sketches.
This painting depicts a famous legend from Giorgio Vasari’s 'Lives' where the master Francesco Francia supposedly died of grief or awe after seeing Raphael’s superior skill. The central work shown, Raphael's 'Saint Cecilia,' is a foundational Neoplatonic image representing the 'Music of the Spheres' and the soul's preference for celestial harmony over terrestrial sound.
Giorgio Vasari
Vasari's 'Lives of the Artists' is the primary source for the biographical legend of Francesco Francia's reaction to Raphael's painting.
Marsilio Ficino
The painting within the painting (Raphael's St. Cecilia) visually manifests Ficino's Neoplatonic theories regarding the hierarchy of the senses and divine music.
Object
Oil on panel
genre-scene
Digital Source
Wikimedia Commons · CC BY-SA 3.0
Pugnaghi/Museo Civico di Modena
1627 × 1999 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.