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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThis sketch depicts a nude, athletic youth identified as Cupid, shown in a dynamic airborne pose. He holds a bow across his torso and looks upward with an open mouth, while a faint secondary figure is sketched in the background. The work exhibits the soft line-work characteristic of High Renaissance figure studies.
In the Renaissance Neoplatonic tradition championed by figures like Marsilio Ficino, Amor (Eros) was viewed as a cosmic force that drives the soul's ascent toward divine beauty. This figure represents the 'daemonic' intermediary between the human and the divine realms, a central concept in Renaissance philosophical magic and theurgy.
RAFFAELLO SANTI DA URBINO ODER GIULIO ROMANO. Amor nach links gewandt. Facsimile-Druck von FRANZ HANFSTAENGL in München.
Translation
Raffaello Santi of Urbino or Giulio Romano. Amor turned to the left. Facsimile print by Franz Hanfstaengl in Munich.
Marsilio Ficino
Ficino's 'De amore' (Commentary on Plato's Symposium) provides the primary philosophical framework for interpreting Cupid as a symbol of the spiritual desire for the Good and the Beautiful.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · CC BY-SA 4.0
Universitätsbibliothek Heidelberg, https://digi.ub.uni-heidelberg.de/diglit/woermann1896m6
9650 × 8190 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.