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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis red chalk study depicts the tragic climax of the myth of Venus and Adonis, showing the goddess leaning over her lover's reclining form. Venus supports Adonis’s head with one hand while his body appears to lose strength, emphasizing a moment of tender grief. The figures exhibit the soft contours and balanced composition characteristic of the High Renaissance style associated with the workshop of Raphael.
The myth of Venus and Adonis was a frequent subject for Renaissance thinkers who viewed the goddess as a symbol of both earthly and divine beauty within a Neoplatonic framework. This composition, designed for the Stufetta of Cardinal Bibbiena, demonstrates the revival of classical mythology as a vehicle for exploring themes of love and mortality within the ecclesiastical inner circle.
Ovid
The primary literary source for the tragic story of Venus and Adonis found in the Metamorphoses.
Marsilio Ficino
Ficino's Neoplatonic theories on the 'Two Venuses' (earthly and heavenly) informed the intellectual reception of Ovidian myths in Renaissance art.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
http://sammlungenonline.albertina.at/?query=Inventarnummer=[17632]&showtype=record _ Disegno, cm. 22,4 x 18,1
807 × 1003 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.