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Wikimedia Commons · No restrictions · Hover to magnify, click for fullscreen
Original fileSaint Cecilia is positioned in the center, her gaze directed upward as she experiences a moment of divine musical ecstasy. She holds a small pipe organ that appears to be slipping from her hands, while various string and percussion instruments lie broken and scattered at her feet. To her left, Saint Paul leans on a sword in contemplation, while to her right, Mary Magdalene holds a jar of ointment and looks directly toward the viewer.
This painting illustrates the Neoplatonic hierarchy of music, depicting the transition from 'musica instrumentalis' (earthly music) to the divine harmony of the spheres. It reflects the Renaissance philosophical belief, championed by thinkers like Marsilio Ficino, that material sound is a mere shadow of the perfect, celestial music that the soul strives to perceive through spiritual transcendence.
G. Brogi
Boethius
His influential 'De institutione musica' defined the categories of music (mundana, humana, instrumentalis) that underpin the painting's symbolism of discarding earthly instruments for heavenly ones.
Marsilio Ficino
Ficino's Neoplatonic theories on musical therapy and the soul's alignment with celestial harmonies provide the intellectual framework for Cecilia's ecstatic state.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · No restrictions
https://www.flickr.com/photos/internetarchivebookimages/14598184918/
2036 × 3152 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.