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Original fileAn allegorical representation of the Holy Communion where Christ points to his side wound, allowing blood to flow into a chalice held by an angel. He sits above a golden globe and is surrounded by the symbolic beasts of the Evangelists—the lion, ox, and eagle—while angels in the background hold the cross and the pillar of flagellation. The work features a traditional gold-leaf background and Greek inscriptions characteristic of Post-Byzantine icon painting.
This image connects Christian liturgy with broader cosmological themes through the Tetramorph, which represents the four corners of the universe and the four elements. In Western esoteric traditions, these figures correspond to the Merkabah (Chariot) vision and were later adopted into Neoplatonic and Hermetic diagrams to illustrate the harmony between the divine and the material world.
ΜΡ ΘΥ Ο ΑΓΙΟΣ ΙΩ Ο ΠΡΟΔΡΟΜΟC ΕΓΩ ΕΙΜΙ Ο ΑΡΤΟC Ο ΖΩΝ Ο ΕΚ ΤΟΥ ΟΥΡΑΝΟΥ ΚΑΤΑΒΑC... ΤΩΝ ΚΑΙ ΚC ΩΝ ΔΙ ... ΔΙΜΑ ΤΟΥΤΟ ΔΟC ΤΩ ΚΟC... CΑΥΤΟΝ ΖΩΗ
Translation
Mother of God Saint John the Forerunner I am the living bread which came down from heaven... [and the bread that I will give is my flesh, which I will give for the life of the world (John 6:51)]
Dionysius the Areopagite
His 'Celestial Hierarchy' provided the primary theological framework for the symbolic arrangement of angelic and zoomorphic figures seen here.
The Zohar
The Tetramorph (the four living creatures) is a central component of the Merkabah mysticism that heavily influenced early Kabbalistic thought.
Object
Fresco
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.