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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe saint is portrayed with long, reddish-brown hair and a serene expression, wearing a black tunic with gold embroidery and a heavy red mantle. He holds a single arrow between his thumb and forefinger while standing before a soft landscape of hills and water. A thin, circular gold halo surrounds his head, marking his transition from an earthly figure to a divine one.
This work represents the Renaissance shift toward Neoplatonic idealism, where the physical beauty of the martyr reflects the harmony and perfection of the divine soul. This philosophical framework was championed by thinkers like Marsilio Ficino, who argued that beauty was a primary path to spiritual enlightenment.
Marsilio Ficino
Ficino's Neoplatonic theories on beauty as a reflection of divine grace provide the intellectual justification for the saint's idealized physical form.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
1500 × 1894 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.