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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis fresco is divided into two distinct horizontal tiers. The upper section, painted by Raphael, depicts Christ enthroned on clouds flanked by the Dove and six seated Camaldolese and Benedictine saints, while the lower section, added later by Perugino, shows six standing saints flanking a central niche containing a statue of the Madonna and Child. The composition illustrates the transition from the divine realm of the Trinity to the earthly intercession of the saints.
As Raphael’s first major fresco commission, this work illustrates the Renaissance preoccupation with divine order and the celestial hierarchy. The tiered arrangement reflects the theological structure of the 'Great Chain of Being,' a concept central to both medieval scholasticism and Renaissance Neoplatonism.
A Ω S·MAVRVS S·PLACIDVS S·BENEDICTVS S·ROMVALDVS S·BENEDICTVS P S·IOHANNES S·SCHOLASTICA S·IERONIMVS S·IOANNES MA· S·GREGORIVS S·BONIFACIVS S·MARTA RAPHAEL DE VRBINO ADINVIT PINXIT MDV PETRVS DE CASTRO PLEBIS PERVSINVS... MDXXI
Translation
Alpha and Omega. St. Maurus, St. Placidus, St. Benedict. St. Romuald, St. Benedict [the Martyr], St. John [the Martyr]. St. Scholastica, St. Jerome, St. John [the Evangelist]. St. Gregory, St. Boniface, St. Martha. Raphael of Urbino began and painted this in 1505. Pietro [Perugino] of Città della Pieve... 1521.
Pseudo-Dionysius the Areopagite
The fresco's structured arrangement of the Trinity and tiered saints reflects the celestial hierarchies described in Dionysian theology, which heavily influenced Renaissance depictions of the divine order.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Own work
2048 × 3072 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.