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Original fileAt the center of the composition, Plato and Aristotle walk forward while engaged in debate; Plato points to the heavens and Aristotle gestures toward the earth. Surrounding them are various groups of thinkers, including Pythagoras writing in a book and Euclid demonstrating a geometric proof with a compass. The scene is set under massive coffered barrel vaults, flanked by statues of the deities Apollo and Minerva.
This work represents the Renaissance synthesis of classical philosophy and Christian thought, specifically the Neoplatonic effort to reconcile the 'ideal' philosophy of Plato with the 'empirical' philosophy of Aristotle. It visualizes the concept of *prisca theologia*, the idea that a single thread of divine truth connects all great ancient thinkers, a core tenet of the Western esoteric tradition.
RAPHAEL SANTIVS PINX IN AEDIBVS VATICA NIS . 12.
Translation
Raphael Sanzio painted [this]. In the Vatican buildings. [Number] 12.
Marsilio Ficino
Ficino's translations of Plato and his work in the Platonic Academy of Florence provided the intellectual framework for this visual synthesis of ancient wisdom.
Plato, Timaeus
Plato is depicted in the center holding a copy of this cosmological dialogue, which was a fundamental text for Renaissance Neoplatonists.
Aristotle, Nicomachean Ethics
Aristotle holds a copy of his Ethics, representing the focus on worldly action and moral philosophy.
Object
Fresco
allegory
Linked Data
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