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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe sitter is depicted from the waist up, holding a sheer veil against her torso in a pose reminiscent of the classical Venus Pudica. She wears a striped silk turban with a pearl and a blue armband, while the dark background features foliage of laurel and myrtle. Her steady gaze and the placement of her hand near her heart emphasize an intimate connection between the subject and the painter.
The work reflects High Renaissance Neoplatonic ideals regarding the contemplation of physical beauty as a pathway to the divine. The inclusion of the artist's name on the woman's arm and the presence of plants sacred to Venus suggest a philosophical union between the creator, the muse, and the ideal of Love.
RAPHAEL URBINAS
Translation
Raphael of Urbino
Marsilio Ficino
The portrait's focus on terrestrial beauty serves as a Neoplatonic vehicle for the ascent to divine contemplation, as discussed in Ficino’s 'De Amore'.
Pietro Bembo
The painting resonates with Bembo's Gli Asolani, which discusses the nature of Platonic love and the spiritual significance of the beloved.
Object
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
Own work
3447 × 4417 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.