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Wikimedia Commons · CC BY 2.0 · Hover to magnify, click for fullscreen
Original fileThe central figure, Galatea, turns her head back as her red cloak blows in the wind, steering her dolphin-led chariot across the sea. Around her, muscular Tritons and sea-nymphs are locked in embraces, while one figure in the background blows a conch shell. In the sky, three winged cupids aim their arrows toward the scene, with a fourth hovering near the bottom of the frame.
This work is a primary example of High Renaissance Neoplatonism, where the physical beauty of Galatea represents the soul's pursuit of divine harmony and 'celestial love.' It was inspired by the humanist poetry of Angelo Poliziano and reflects the philosophical atmosphere of the Chigi court in Rome.
Angelo Poliziano
Poliziano's poem 'Stanze per la giostra' provided the literary description of Galatea that Raphael used as the basis for this composition.
Marsilio Ficino
Raphael's pursuit of an 'ideal beauty' in this painting reflects Ficino's Neoplatonic theories on the visual representation of the divine.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · CC BY 2.0
Le Triomphe de Galatée de Raphaël (Villa Farnesina, Rome)
757 × 1053 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.