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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe composition is divided into two registers: a heavenly scene where Christ crowns Mary surrounded by musical angels, and a terrestrial scene below. The Apostles stand in various states of awe around a stone sarcophagus that has miraculously bloomed with lilies and roses. In the center, Saint Thomas holds the sacred girdle dropped by the Virgin as proof of her physical Assumption into heaven.
The painting reflects the Renaissance Neoplatonic worldview, which organized the universe into a strict hierarchy of celestial and terrestrial spheres. It illustrates the transition from the material world to the spiritual, a central theme in the natural philosophy and theology that informed Raphael's later, more overtly philosophical works.
Jacobus de Voragine
The narrative of the Virgin's Assumption and the gift of her girdle to Saint Thomas is primarily sourced from the Golden Legend.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
http://www.museivaticani.va/content/museivaticani/en/collezioni/musei/la-pinacoteca/sala-viii---secolo-xvi/raffaello-sanzio--incoronazione-della-vergine.html
1606 × 2712 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.