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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileEve stands on the left, reaching for the forbidden fruit offered by a serpent with a woman's face coiled around the trunk of a fig tree. Adam is seated on a log to the right, extending his hand to receive the fruit as they both transition from innocence to mortality. The scene is set within a lush, atmospheric landscape representing the primordial Paradise.
In Renaissance Neoplatonism and Christian Kabbalah, the Fall represented the descent of the divine soul into the material world and the loss of original gnosis. This work belongs to Raphael's 'Bible' in the Vatican Loggia, where biblical history was harmonized with classical aesthetics, reflecting the 'prisca theologia' or ancient theology shared by both traditions.
Giovanni Pico della Mirandola
In his work 'Heptaplus', Pico provides a sevenfold esoteric interpretation of the Book of Genesis and the nature of Adam.
Adam Kadmon
In Kabbalistic thought, the fall of the biblical Adam is contrasted with the primordial, celestial 'Adam Kadmon' or Universal Man.
Object
Fresco
religious
Digital Source
Wikimedia Commons · Public domain
www.wga.hu
4100 × 3255 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.