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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileFour narrative fresco panels are arranged around a central square depicting God the Father, framed by an illusionistic architectural structure of columns opening to a blue sky. The narrative scenes include the Sacrifice of Isaac and Lot's flight from Sodom, set within a complex system of white stucco reliefs and classical 'grotesque' motifs. The decorative scheme mimics the ancient Roman wall paintings discovered in the ruins of the Domus Aurea.
This cycle, known as the 'Raphael Bible,' represents the High Renaissance synthesis of Judeo-Christian narrative with the rediscovered visual language of classical antiquity. The incorporation of 'grottesche' reflects the Neoplatonic interest in the 'monstrous' and the imaginative as a valid form of artistic expression, bridging the gap between divine order and human ornament.
L X P M
Translation
Leo X, Pontifex Maximus
Vitruvius
The architectural framework and grotesque decorations are based on the Roman styles described in 'De architectura' and rediscovered in the Domus Aurea.
Pico della Mirandola
The syncretism of Old Testament figures within a classical, pagan-inspired decorative framework mirrors the Christian Kabbalah and humanism of Pico.
Object
Fresco
architectural
Digital Source
Wikimedia Commons · Public domain
www.wga.hu
4200 × 3044 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.