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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Madonna sits in a red dress and blue mantle, supporting the naked Christ Child who clings to her neck with his left arm. The scene is set against a serene landscape with a distant domed church and a winding path. Both figures have thin, golden wire halos that catch the light against the pale blue sky.
This work exemplifies the High Renaissance ideal of 'grace,' which contemporary Neoplatonists like Marsilio Ficino associated with the divine harmony of the cosmos. The integration of the idealized human figure within a rational, luminous landscape reflects the period's belief that terrestrial beauty serves as a ladder to the contemplation of the divine.
Marsilio Ficino
Raphael's pursuit of idealized beauty and harmony (grazia) reflects Ficino's Neoplatonic theories regarding the 'Splendor of the Divine Countenance.'
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/2firenze/1/24cowper"
12276 × 16521 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.