This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Virgin Mary sits in a tranquil landscape, looking down at two infants: the Christ child and John the Baptist. John holds a goldfinch, which Christ gently strokes, a symbolic gesture foreshadowing his future sacrifice. The figures are arranged in a stable, harmonious pyramid, with a distant bridge and city visible in the background.
The work embodies the High Renaissance Neoplatonic ideal of 'divine proportion' and harmony, where the beauty of the human form reflects the mathematical order of the cosmos. The inclusion of the book designates Mary as the 'Sedes Sapientiae' (Throne of Wisdom), a concept bridging sacred scripture with the Neoplatonic pursuit of divine intelligence.
Marsilio Ficino
The painting's emphasis on geometric harmony and the redemptive power of beauty aligns with Ficino's Neoplatonic theories regarding the soul's ascent through the contemplation of physical grace.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.