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Original fileThe painting shows a half-length depiction of the Madonna in a red dress and blue cloak, cradling the Christ Child. The figures are illuminated by a soft light that creates gentle shadows, and both possess thin, delicate golden halos. The stark black background focuses all attention on the serene, contemplative expressions and the harmonious physical relationship between mother and child.
This work embodies the High Renaissance search for ideal beauty and mathematical harmony, concepts deeply rooted in the Neoplatonism of Marsilio Ficino. The pursuit of perfect form was seen as a way to reflect the divine 'Idea' and the celestial order within the material realm.
RAFFAELLO SANZIO DA URBINO N. 1483 - M. 1520 MADONNA DETTA DEL GRANDUCA 178
Translation
Raphael Sanzio of Urbino. Born 1483 - Died 1520. Madonna called 'of the Grand Duke'.
Marsilio Ficino
Raphael's pursuit of ideal beauty in his Madonnas serves as a visual manifestation of Ficino's theories on divine beauty as a ladder to spiritual contemplation.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.