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Original fileThe Virgin Mary is depicted in a three-quarter view, standing and cradling the Christ Child against a deep, dark background. She wears a red dress and a blue mantle, looking downward with a somber expression while the infant gazes toward the viewer. The painting is shown here in a museum setting, framed in ornate gold and viewed by several visitors.
Raphael's Florentine Madonnas represent the High Renaissance synthesis of religious devotion and Neoplatonic ideals of harmony and perfect form. The work reflects the intellectual environment of early 16th-century Florence, where the pursuit of idealized beauty was viewed as a path to understanding divine order and the 'ascent' of the soul.
RAFFAELLO SANZIO MADONNA DEL GRANDUCA 1504-1505
Translation
Raphael Sanzio Madonna of the Grand Duke 1504-1505
Marsilio Ficino
Raphael's pursuit of 'pulchritudo' (beauty) as a manifestation of divine light aligns with Ficino's Neoplatonic theories on the spiritual nature of sight and harmony.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.