Madonna del Granduca (sketch, Uffizi) in Pushkin museum (2016) by shakko 02

The drawing shows the Madonna in a standing position, supporting the Christ Child with both hands. A faint circular line surrounds the figures, indicating the artist's exploration of a tondo composition. The work is executed in chalk or charcoal, with light hatching defining the folds of the garments and the contours of the figures.

This sketch illustrates the Renaissance pursuit of 'venustas' or harmonious beauty, a concept central to the Neoplatonic thought prevalent in Florence during Raphael's stay. The search for a perfect 'Idea' of the Madonna reflects Marsilio Ficino's influence on the visual arts, where physical harmony serves as a bridge to the contemplation of the divine.