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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis circular painting depicts Mary supporting the Christ Child, who gazes toward the viewer with a hand resting on his mother's neckline. Two ornate, burning candelabra frame the central figures against a dark background, casting a warm light on their faces. The heads of two angels are partially visible at the lower edges of the composition, gazing inward.
The unusual inclusion of Roman-style candelabra reflects the High Renaissance synthesis of classical antiquity and Christian theology. The emphasis on light serves as a visual metaphor for the Neoplatonic concept of divine emanation and Christ as the 'Lumen Gentium' or light of the world.
Marsilio Ficino
Raphael's use of light as a primary iconographic element mirrors Ficino's Neoplatonic theories in 'De Lumine' regarding light as a manifestation of divine goodness.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
yQHmz4sHRTtgyg at Google Cultural Institute maximum zoom level
6097 × 6321 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.