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Wikimedia Commons · CC BY 3.0 · Hover to magnify, click for fullscreen
Original fileThis tondo, or circular painting, depicts the Madonna in a red gown and blue mantle cradling the infant Jesus. To the left, the young John the Baptist holds a thin wooden cross and a fluttering scroll, while a third child figure gazes toward the central group from the right. The scene is set against a serene background of distant architecture and rocky outcrops under a clear sky.
The tondo format was favored in Renaissance Florence as a symbol of cosmic harmony and divine perfection, concepts central to the Neoplatonism revived by Marsilio Ficino. The geometric balance and idealized beauty of the figures reflect the philosophical pursuit of 'the One' through visual proportion and mathematical order.
AGNVS
Translation
Lamb
Marsilio Ficino
Ficino's Neoplatonic theories on the circularity of the divine mind and the perfection of the sphere influenced the Florentine preference for the tondo form.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC BY 3.0
https://web.archive.org/web/20161101032218/http://www.panoramio.com/photo/112311156
1800 × 1800 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.