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Original fileOn the left, a group of Apostles gesticulates in confusion and helplessness as they realize they cannot perform a miracle. To the right, a father holds his convulsing son, whose eyes roll back in the throes of demonic possession. A kneeling woman in pink and blue drapery serves as a visual bridge, pointing toward the child to draw the viewer's attention to the earthly suffering that awaits divine intervention.
This work is a primary example of the High Renaissance synthesis of theology and Neoplatonism, juxtaposing the chaotic, shadowed material world of man with the radiant, divine light of the Transfiguration above. It illustrates the human soul's dependency on the 'lumen divinum' (divine light) to overcome the darkness of the physical and demonic realms.
Marsilio Ficino
Ficino's Neoplatonic theories regarding the hierarchy of light and the soul's ascent to God provide the philosophical foundation for Raphael's depiction of the divine versus material realms.
Gospel of Matthew
The primary biblical source (Matthew 17) for the narrative of the Transfiguration and the subsequent healing of the boy with a 'mute spirit.'
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.