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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA central figure of Jesus Christ floats amidst a brilliant cloud of light, his garments and body illuminated by divine radiance. Flanking him are the prophets Moses and Elijah, while below, three apostles—Peter, James, and John—recoil and shield their eyes from the blinding supernatural light. This scene represents the upper portion of Raphael's final altarpiece, capturing the moment of divine revelation and theophanic transition.
The Transfiguration served as a primary visual reference for Renaissance Neoplatonic discussions regarding the 'luciform' body and the soul's ascent toward the One. It illustrates the concept of theosis or deification, where the material form is permeated and transformed by the lux divina (divine light), a central theme in the thought of Marsilio Ficino and the Roman humanists.
Marsilio Ficino
Ficino's Neoplatonic treaties on light, such as De Lumine, provide the philosophical framework for understanding the radiant, transformed body of Christ as a bridge between the physical and spiritual worlds.
Corpus Hermeticum
The concept of the spiritualization of the body and the 'garment of light' found in Hermetic texts parallels the theological mystery of Christ's transfigured state.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Archivio privato di Albertomos
1043 × 727 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.