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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe image shows a detailed four-story palace facade featuring a ground floor of rusticated arches and upper levels richly decorated with alternating pediments and niches. Notable details include a frieze of heavy fruit garlands, portrait medallions containing classical busts, and a prominent central coat of arms above the main entrance. The structure represents the transition from High Renaissance harmony to the more complex ornamentation of Mannerism.
Raphael's architectural work embodied the Vitruvian and Neoplatonic ideals of harmony and proportion that defined the intellectual atmosphere of the High Renaissance. This specific palace, though destroyed in the 17th century, influenced the development of Mannerist aesthetics, which favored the sophisticated artifice and hidden complexities often mirrored in the esoteric thought of the era.
FACCIATA DEL PALAZZO ET HABBITATIONE DI RAFAELE SANTIO DA URBINO SV LA VIA DI BORGHO NOVO FABRICATO CON SVO DISEGNO L'ANNO MD·XIII·III· CIRCA E SEGVITO DA BRAMANTE DA VRBINO Scala Di palmi Quaranta
Translation
Facade of the palace and residence of Raphael Sanzio of Urbino on the Via di Borgo Nuovo, built from his design around the year 1513-1514, and followed by Bramante of Urbino. Scale of forty palmi.
Vitruvius
Raphael’s architectural designs were deeply rooted in the recovery and interpretation of Vitruvian principles of symmetry and eurythmia.
Leon Battista Alberti
The facade reflects the application of Alberti’s theories on the 'concinnitas' (ordered harmony) of the parts to the whole in building design.
Object
Oil on panel
architectural
Digital Source
Wikimedia Commons · Public domain
National Library of Poland
4828 × 4000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.