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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis two-tiered fresco depicts a celestial vision in the upper register where Christ is enthroned among clouds and angels, flanked by seated saints. The lower register features six standing figures in an architectural setting, surrounding a central niche that contains a sculpted Madonna and Child. The upper portion was painted by Raphael early in his career, while the lower section was completed by his former master, Perugino, over a decade later.
The hierarchical arrangement of the fresco illustrates the Renaissance concept of the 'Great Chain of Being,' a Neoplatonic structure linking the terrestrial realm to the divine. The prominent placement of the Alpha and Omega at the apex signifies the divine as the Monad or the ultimate source and end of all existence, a theme central to both Christian theology and the Neoplatonism of Marsilio Ficino.
A Ω S. MAVRVS S. PLACIDVS S. BENEDICTVS S. ROMVALDVS S. BENEDICTVS M. S. IOHANNES M. S. SCHOLASTICA S. HIERONIMVS S. IOANNES S. GREGORIVS S. BONIFACIVS S. MARTHA RAPHAEL DE VRBINO PINXIT AD MDV PETRVS DE CASTRO PLEBIS P. AD MDXXI
Translation
Alpha and Omega St. Maurus, St. Placidus, St. Benedict, St. Romuald, St. Benedict the Martyr, St. John the Monk St. Scholastica, St. Jerome, St. John, St. Gregory, St. Boniface, St. Martha Raphael of Urbino painted this in 1505 Pietro of Città della Pieve [Perugino] painted this in 1521
Marsilio Ficino
Ficino's Neoplatonic synthesis of Christian doctrine and Platonic hierarchy is visually manifested in the structured ascent from earthly saints to the celestial Trinity.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
perugino_trinity_six_saints_1521
733 × 1056 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.