This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe sitter is depicted in three-quarter view, looking directly at the viewer with a calm, self-assured expression. They wear a voluminous white shirt beneath a heavy dark cloak with prominent fur trim. To the right, a vertical sliver of landscape is visible, showing a distant town by a body of water.
This painting is a quintessence of High Renaissance portraiture, reflecting the courtly ideals and Neoplatonic concepts of beauty and grace prevalent in the circles of the della Rovere family. It is frequently associated with the concept of 'sprezzatura' (effortless grace) articulated by Raphael’s contemporary Baldassare Castiglione.
Baldassare Castiglione
The portrait's poise and elegant attire epitomize the social and philosophical ideals of the courtly life described in Castiglione's 'The Book of the Courtier'.
Object
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
"Catalogue of paintings removed from Poland by the German occupation authorities during the years 1939-1945. 1, Foreign paintings" / comp. Władysław Tomkiewicz ; Ministry of Culture and Art. Warsaw 1950 Editor: Ministry of Culture and Art. See also Department of National Heritage, Wartime losses (an official webpage of Polish Ministry of Culture, Art and National Heritage)
1954 × 2419 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.