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Original fileItalian: La Muta Portrait of a Young Womantitle QS:P1476,it:"La Muta "label QS:Lit,"La Muta "label QS:Les,"Retrato de una dama (La Muda)"label QS:Lfr,"La Muta"label QS:Lru,"Немая (Рафаэль)"label QS:Lde,"Die Stumme"label QS:Lhy,"Համրը"label QS:Ltr,"Genç Kadın Portresi"label QS:Lja,"無口な女"label QS:Lth,"ภาพเหมือนของของสตรีสาว"label QS:Lpl,"La Muta"label QS:Lml,"പോർട്രെയിറ്റ് ഓഫ് എ യങ് വുമൺ (ലാ മുത)"label QS:Lnl,"Portrait of a Young Woman"label QS:Larz,"صوره لامرأه شابه (لوحه 2)"label QS:Len,"Portrait of a Young Woman"label QS:Laz,"Gənc qadının porterti"
The sitter is shown from the waist up with her hands clasped in her lap, showcasing detailed rings on her fingers. She wears a high-waisted gown of dark fabric with green and red accents, a white chemise, and a delicate gold chain with a cross pendant. Her stoic expression and the absence of a background landscape focus the viewer's attention on her social status and psychological composure.
This portrait reflects the High Renaissance effort to capture the 'motions of the mind' through physiognomy, a concept central to the humanist and Neoplatonic circles of Florence and Urbino. The sitter's family, the Montefeltro and della Rovere, were major patrons of humanism and the hermetic arts in the 15th and 16th centuries.
Baldassare Castiglione
Castiglione's 'The Book of the Courtier' defines the ideal Renaissance lady of the court of Urbino, emphasizing the virtue of modest silence and grace visible in this portrait.
Object
Oil on panel
portrait
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.