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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe sitter is depicted in a three-quarter view, looking directly at the viewer while resting an arm on a table covered with a patterned carpet. He wears a voluminous white shirt under a heavy brown fur robe that has partially slipped from his shoulder. Through a window to the right, a serene landscape with a castle and rolling hills is visible.
This work exemplifies the High Renaissance Neoplatonic belief that physical grace and 'sprezzatura' serve as outward manifestations of an elevated and harmonious soul. It was painted during the same period Raphael was designing the Stanza della Segnatura, a project that synthesized classical philosophy with Christian theology.
Baldassare Castiglione
The sitter's pose and expression embody the ideal of 'sprezzatura' described in Castiglione's 'The Book of the Courtier'.
Marsilio Ficino
The idealized features of the youth reflect Ficino's Neoplatonic theory of beauty as a reflection of divine light.
Object
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"r/raphael/5roma/1/051portr"
4281 × 6249 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.